A
Mark of Pioneers
by Robert E. Gard
an echo from his book
An Innocence of Prairie
Who
were they who came to the Wisconsin land, heroes in their imaginations,
crusaders against a primitive innocence of grass and flowers?
They
broke open the virgin prairie with oxen and iron plows. They were the
iron ringers, shouting, “Iron on iron, rock on rock.” They cried, “Here it
is! This land, this valley, this hill, this link of woods is our!” And they
named the prairies for far away places - Empire and Arlington, New Glarus and
New Lisbon - for star and sun, for Indian myth, for women... yes, and for a
joyous heart or a human dream.
There
was profound innocence in their joy of doing. They thrust deeply into the warm,
virgin womb of earth. Planting, planting, more and more. First with joy then
with fury, they tore into the sod that had been so long inviolate. With their
oxen and their iron plows carved ribbons of severed roots and turned under the
yellow sunflowers, buttercups, lobelias, and blue lead plants. Laid under with
them were wild asters, indigos, and star flowers; yes, even the tall grasses.
And these first corners chanted their hymns of religion and work. And oh, yes, their work was so often their religion, a glorious effort of despoliation and innocence.
Above
the severed prairie grew the grains. The uprooted trees burned through the
night. The wild land became transformed, and the water birds knew this and no
longer nested on the prairie wetlands. Pigeon flocks whose density had hidden
the sky disappeared. A victory over innocence had been won, an elemental
conflict resolved.
Innocence
is of many times and of many things.
Those
who came to these Wisconsin lands at the beginnings of the great time of change
had little sense of the ravaging that was being done. It was not for them to
note such things. They desired only freedom and work. They had no thought of
being called violators. Their concepts were of labor, home, and
the family; their concepts were innocent and innocents they were.
Yet
they had such joy in the clear waters flowing through space and time - valley
springs and hillside brooks. They discovered, oh so wonderfully, the crystal
flood that rushed from the springs over white sand basins and over crisp
watercress. And the brooks, bright and clear and flowing so beautifully, were
among the many wonderful resources to tap.
We,
who now look backward, clearly see the beginning of the time of violation and
the way violation expanded with the growing crops which the innocents planted.
We shudder to think of all that came after - when the grand passage of the ducks
was no longer grand; when the bald eagles soared less and less; when the
whooping crane was not seen at all; when, it seems, cruel darkness began in the
brain of man. But could it have been another way? This irony of the innocent
violating innocents?
I
find that I am increasingly moved by the remnants of prairie that still remain
and all the prairie meant to the pioneers. Today’s remaining bits of prairie
provoke in me a feeling of wonderment. I well know that they are no longer so
worthy of epic imagining. I realize that mostly relic prairies exist today. And
where the prairie is being preserved, there are only vestiges of what once grew
and rested and grew again in so many places, stretching from horizon to horizon.
I
can imagine (almost as though I were there myself) the elation of those pioneers
when they encountered the prairies. How tragic it is that the reality of what
prairie has vanished and that we can only imagine the expanse of wild tall
grasses.
One
time in my travels I paused briefly at an old cemetery.
The tall grass was growing only around the edges, but there was enough
for me to imagine how it was when the pioneers arrived and the first graves were
dug. All around were now cultivated
fields. This tiny spot seemed like
an island, a dream preserved because of the old graves. As I stood quietly I heard the sound of wind in the grass,
then with it or from it, a voice that seemed to speak only to me.
“Look
long and good,” the voice said. “I have kept this grass, this old burying
ground. This piece, this acre or so, is not of our time; neither yours nor mine.
It belongs to itself. The wild grasses, the roots, the fermenting soils - they
are the true possessors of this land. Look how the grasses have browned and
brittled in the fall, then lay rotting under the snows. Look how the new shoots
of the grasses push up in the spring, Out of the rot. Their roots are down in
the rot, but the grasses taste sweet and bear a wondrous sound when they mix
with the wind.”
The
voice stopped. Fearing that the spell would break, I, too, was silent. Finally
the voice continued, “Listen to the wind. Know how it breathes. Let it carry
you into August when all across the field the corn leaves are moving against
each other. Listen and feel. Feel the wind. Feel the corn leaves against your
cheeks. Listen and look. See how the wind sways the sunflowers in the fallow
field and how it lightens their yellow with the dust of the earth.”
I
listened and felt and saw. It was an intense moment, one I would never forget.
The voice could not have come from a dream. It, too, had to be a real and living
thing; or was it a memory of pioneers proclaiming their innocence?
Upland Sandpiper